Flaming red maples subdued by increasing cold and darkness, go dormant. Sap fails to rise. The leaves dry into ruddy, seven-fingered hands that clench shut into tight fists which shake angrily in the frigid winds.
- Nancy Boudreau
This painting is 5 x 7 inches and is acrylic on gessoed mat board, housed in a cream colored mat. The text above is handwritten on the back of the painting, which is also signed and dated.
Another ode to Red Maples. One would think such strength, such vibrance would be indominable and unending, but no. This show will last for only a week, maybe two.
- Nancy Boudreau
This painting is 5 x 7 inches and is acrylic on gessoed mat board, housed in a cream colored mat. The text above is handwritten on the back of the painting, which is also signed and dated.
Not always pretty! Clean canvas disappears under chaos of color, pristine new paint tubes squeezed and crinkled, brush bristles mashed, food grade containers coated with layers of acrylic residue, a white apron carelessly smeared, a pallet of rainbows becomes thunderclouds at midnight.
- Nancy Boudreau
This painting is about 11 x 20 inches and is acrylic on gessoed wood panel, raw edges sealed with gel medium, all trussed up and ready to hang in your home or office. The text above is handwritten on the back of the painting, which is also signed and dated. Feel free to contact me directly at nb@nboudreau.com with questions, comments or a soul searching discussion of the workings of the universe (with humor).
While jogging last weekend, my wandering attention was captured by the sight of a flaming-red maple crowning a green lawn. The contrast of blue sky and gray bare branches further emphasized this ecstasy of light and color. Backlit leaves are the stained glass of my wild cathedral.
- Nancy Boudreau
This painting is 10 x 12.73 inches and is acrylic on gessoed panel, framed. The text above is handwritten on the back of the painting, which is also signed and dated. Please contact me directly at nb@nboudreau.com, if you're interested in owning this painting.
A view of Bennett's Pond in Ridgefield Connecticut, hiking along the Ives Trail, on the western edge of the pond facing east. Wind ripples the surface of terraced water levels, the work of beavers. A fallen trunk, the base sculpted, chiseled by incisors, now used as an elevated platform from which rodent kings observe their domain. The single drowned maple, stands in the foreground as if thrust into the water like a javelin heaved by Paul Bunyan from towns away.
This painting is 5 x 7 inches and is acrylic on gessoed mat board, protected in a cream colored mat. The text above is handwritten on the back of the painting, which is also signed and dated.
For comments and queries, or to be added to my mailing list, please feel free to contact me directly at: nb@nboudreau.com
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This painting is 5 x 7 inches and is acrylic on gessoed mat board, protected in a cream colored mat. The text above is handwritten on the back of the painting, which is also signed and dated.
For comments and queries, please feel free to contact me directly at: nb@nboudreau.com
In the meadows along the trails to Bennetts Pond in Ridgefield, Connecticut, milkweed pods rattle in the wind. Gusts tug at the silken parachutes, sending seeds adrift over the landscape.
This painting is 5 x 7 inches and is acrylic on gessoed mat board, protected in a cream colored mat. The text above is handwritten on the back of the painting, which is also signed and dated.
For comments and queries, please feel free to contact me directly at: nb@nboudreau.com
In northwest Connecticut, November is the month of sunrises and sunsets. Leaves drop in the last week of October and by the first week of November the sky is suddenly exposed. Day length and the set of the clock aligns sunrise and sunset with commuting hours, when dazzling distractions cause traffic jams. In this painting, the center of New Fairfield, looking east, clouds are momentarily washed with luminous hues I cannot reproduce.
This painting is 5 x 7 inches and is acrylic on gessoed mat board, protected in a cream colored mat. The text above is handwritten on the back of the painting, which is also signed and dated.
For comments and queries, please feel free to contact me directly at: nb@nboudreau.com